1950s

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The CAMA Women’s Board was founded in 1951 with Katherine Gray as its first Chairman. Notes from Mrs. Lewis Motler (“Dot”) Smith state that in 1951|52, CAMA was paying about $2,500 to produce each concert: a total of $12,500 for five concerts in a season. The main CAMA Board was running a yearly deficit. Mrs. Smith tells us “that’s when [the CAMA Women’s Board] came into the picture. The main Board needed some outside support and Katharine [sic] Gray got it started… to help sell the tickets, and raise money…”

The Women’s Board organized a Preview Lecture Series. During Dot Smith’s presidency (1956–1960), the lectures were held at the El Mirasol Hotel in the Garden room, with luncheons following. William Hartshorn, Director of Music for Los Angeles Public Schools, gave the first five Preview Lectures (Dot Smith, 1989, CAMA archives).

pierre monteux1950Notable events from the 1950s included CAMA’s presentation of the one-hundredth official concert by the Los Angeles Philharmonic in Santa Barbara on November 5, 1952. Mayor Norris Montgomery commemorated the occasion with the declaration of “Symphony Week” from November 2 to 8. The Boston Symphony, with Maestro Pierre Monteux, made an appearance in Santa Barbara on May 5, 1953 as part of its first visit to the West Coast since 1915.

CAMA Board Member Stephen Cloud notes that “with the 1950s came the expansion of the orchestra series and concerts by the New York Philharmonic under their dynamic new conductor, Leonard Bernstein.” CAMA productions from the 1950s also featured recitals by pianists Robert Casadesus and Rudolf Serkin, and violinist Erica Morini; and concerto appearances by pianist Claudio Arrau and cellist Mstislav Rostropovich, both performing with the Los Angeles Philharmonic directed by Arturo Basile.